:- Goodman, Nelson, “Art and Authenticity”, in Languages of Art, Indianapolis: Hackett, 1976.- Genette, Gérard, chapters. 1-5 of The Work of Art, Ithaca: Cornell University Press, 1997.chapter titles:ch. 1 “Introduction”ch. 2: “The Autographic Regime”ch. 3: “Unique Objects”ch. 4: “Multiple Objects”ch. 5: “Performances”- Genette, Gérard, chapters. 6-8 of The Work of Art, Ithaca: Cornell University Press, 1997.chapter titles:ch. 6 “The Allographic Regime”ch. 7: “Reduction”ch. 8: “Immanence and Manifestation”- Genette, Gérard, chapters. 9-11 of The Work of Art, Ithaca: Cornell University Press, 1997.(Disponible en français)chapter titles:ch. 9 “The Conceptual State”ch. 10: “Will This Kill That?”ch. 11: “Plural Immanences”For the 3rd part:- Weitz, Morris, “The Role of Theory in Aesthetics”, in The Journal of Aesthetics and ArtCriticism, vol. 15, no. 1, 1956, pp. 27-35. – Beardsley, Monroe, “An Aesthetic Definition of Art”, in Aesthetics and the Philosophy of Art.The Analytical Tradition: An Anthology (Peter Lamarque and Stein Haugom Olsen, Eds.),Oxford: Wiley Blackwell, 2004, pp. 22-30.- Danto, Arthur, “The Artworld”, in Journal of Philosophy, vol. 61. no. 19, pp. 571-584.(Disponible en français).- Dickie, George, “What is Art? An Institutional Analysis”, in Art and Philosophy. Readings inAesthetics (W. E. Kennick, Ed.), New York: St. Martin’s Press, 1979, pp. 82-94.- Dickie, George, “The New Institutional Theory of Art”, in Aesthetics and the Philosophy of Art.The Analytical Tradition: An Anthology (Peter Lamarque and Stein Haugom Olsen, Eds.),Oxford: Wiley Blackwell, 2004, pp. 15-29.