Prepare a critique of a hybrid text author/photographer. This critique should incorporate themes and criticism discussed in class, as well as key elements such as the photo’s origin, its new place of circulation, reading of the image, demands posed by the image in the text, temporal and spatial relationships inscribed in the image, ways in which the text is imagined, or is structured in its relationship to the image.
Possibilities (if you can’t find the texts, I will lend them to you, or we can make a copy from my copy)
Edgardo Rodríguez Juliá: El entierro de Cortijo (Spanish-no English version)
Edgardo Rodíguez Juliá: Cámara secreta (Spanish)
Elena Poniatowska, Juchitán de las mujeres (Spanish-English)
Julio Cortázar, Buenos Aires, Buenos Aires (Spanish-English)
Rosario Ferré, Vecindarios excéntricos (Excentric Neighborhoods)
Salvador Elizondo, Farabeuf o la crónica de un instante (Spanish-English)
Margo Glantz, Genealogías (The Genealogies)
Norma Elia Cantú, Canícula: Snapshots of a Girlhood in la Frontera
Sandra Ortiz Taylor, Sheila Ortiz Taylor, Imaginary Parents
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