1. Titian, Venus of Urbino, 1536–1538, oil on canvas (3′ 11″ × 5′ 5″)2. Jean-Auguste- Dominique Ingres, Grande Odalisque, 1814, oil on canvas (2′ 117/8″ × 5′ 4″)+ Below are two representations of reclining nude women, one from Renaissance Venice and one from 19th century France. Analyze the similarities and differences between these works with a focus on how these artists make a potentially problematic subject ‘acceptable’ – what are the issues the artists must consider when representing the female nude in their respective eras and how do they deal with them?